Their films reveal a host of influences, especially an inimitable fusing of the absurdist screwball comedy of Preston Sturges with the dark moral lessons of film noir. The films of the Coen Brothers – whether dark and violent or roariously silly – share many themes and aesthetic traits. The comedies have a philosophical moral undertone and the serious films are peppered with comedy.
The Jewish brothers from Minnesota are essentially co-auteurs (if such a word is allowed). They write, direct, produce and edit their films together. (Early credits assigning direction to Joel and production to Ethan were required by rigid guild rules. They edit their films under the alias Roderick Jaynes.)
Their films share a unique visual tapestry and a careful attention to sound and music, often working in tandem. The atmosphere of their stories is accentuated by a combination of original score and perfectly cultivated source music.
“Now, in Russia, they got it mapped out so that everyone pulls for everyone else… that’s the theory, anyway. But what I know about is Texas, an’ down here… you’re on your own.”
The brothers’ first film announced the arrival of a new cinematic voice. 1984’s Blood Simple, a low budget neo-noir, somehow contains the multitudes of their entire body of work to come. Continue reading →