Tag Archives: Politics

The Comedy of the Black Republican

While I am currently working on political ideology on entertainment television in the 1970s, I do enjoy watching more contemporary television as well. Often, however, I am struck by how apolitical network television entertainment today is compared to the 1970s. In fact, the 1970s constitute a very peculiar period in network television. Especially comedies reveled in a new politically relevant humor, and the ratings ensured them leeway. But by the 1980s, the proliferation and weight of a wide array of interest groups had hampered the comedic freedom. Modern Family recently spent a story arch on Claire (Julie Bowen), one of the main characters, running for city council. Yet, her partisan alignment was never identified. This tactic is quite common in an industry that strives for as wide an audience as possible. There are few, if any, upsides in offending parts of your audience with partisan identification.

This is why I was so surprised to come across an episode of the ABC sitcom Black-ish revolving entirely around the idea of the Black Republican. The episode starts with Dre (Anthony Anderson) stipulating facts of life, including:

 “Black people aren’t Republicans, we just aren’t. We vote for Democrats. And it’s not just an Obama thing […] black people also overwhelmingly backed this guy [photo of Dukakis in a tank], this guy [photo of Al Gore kissing Hillary Clinton], hell 91% of black people voted for this guy [photo of Walter Mondale holding boxing gloves]. Fact: 91% of Walter Mondale’s family didn’t vote for Walter Mondale. Sure, the other side may trot out a token black face every now and again, but the fact of the matter is being a black Republican is something we just don’t do.”

The show often deals with perceived cultural differences between black Americans and white Americans, Continue reading →

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“There you go again”: Humor in Presidential Debates

In early August, Fox News and Facebook organized the most watched primary debate ever, in Cleveland, Ohio, where 17 Republican presidential hopefuls gathered in two debates in hope of emerging as the star of the field. The pundits are still out on who exactly ”won” the debate, curiously there seems to be something of a correlation between the ideology of the pundit and whom they declare the winner. Among much post-debate think-pieces, media bickering, and inappropriate comments by Donald Trump, the perhaps best, and certainly funniest, piece was a bit by Funny or Die featuring kids reenacting the debate.

Jimmy Margulies cartoon on the Republican Debate

Jimmy Margulies cartoon on the Republican Debate

Since presidential debates became a staple of the election season following the 1976 debate between Gerald Ford and Jimmy Carter, they have been the source of much comedy fodder. Saturday Night Live has over the years, since 1976, provided such gems as this Bush-Clinton-Perot debate, focused on Arkansas as backwater, this Gore-Bush sketch, Will Ferrell as Bush became a long-time favorite, and the instant classics of Tina Fey as Sarah Palin, like this. The Funny and Die bit, however, highlights the inherent humor in the actual debates. For while it might be more fun to just catch Dave Letterman’s recap of the debates than actually watching hours of political posturing, even the politicians drop some funny lines.

Historically, the presidential debates debuted with the 1960 Kennedy-Nixon debates, but as both Lyndon Johnson and Nixon then avoided debates in their 1964, 1968 and 1972 runs respectively it wasn’t until the 1976 campaign they returned. Since then they have been a crucial part of any election cycle, including the primary cycles. The humor in presidential debates consists mainly of inadvertent gaffes or advertent zingers. The perhaps foremost example of the first category dates back to the 1976 debate where incumbent president Gerald Ford claimed there was no Soviet domination of Eastern Europe. Max Frankel of the New York Times, serving on the panel of moderators, can barely conceal his grin as he in disbelief asks if the president is actually saying Eastern Europe is not within the Soviet sphere of influence. The blunder by Ford enhanced the impression of him as somewhat dim, and was used to great extent by the Carter campaign. A more recent example of a humorous debate mistake would be Rick Perry’s inability, in a Republican primary debate in 2012, to remember the third government agency he would do away with if elected to the White House. Falling back on his Texan charm Perry tried to brush it aside with a nonchalant “oops”, which only made the whole exchange sillier. Speaking of silly, Mitt Romney’s attempt at humor when proposing to cut funding to PBS, saying that he likes Big Bird (of Sesame Street fame) but would still axe it, also misfired as it gave more than ample ammunition to editorial cartoonists, meme-ers, and comedians all over the country.

Romney, Debate, PBS, Big Bird, Jim Lehrer, political cartoon

Jeff Danziger cartoon of Mitt Romney proposing to cut funding to PBS.

When the candidates in the debates are consciously humorous it is more often by a joke on the opponents account, a zinger. These certainly seem to have decreased in recent years, and the defining debate zinger remains one from 1988. Irritated of continuing criticism of his inexperience, vice presidential candidate Dan Quayle in the 1988 vice presidential debate explained that he had as much experience as John F. Kennedy had when he sought the presidency in 1960. His opponent, long-serving Texan Senator Lloyd Bentsen, saw his chance for a put down and clearly took pleasure in delivering the zinger of the century. “I served with Jack Kennedy, I knew Jack Kennedy, Jack Kennedy was a friend of mine. Senator, you’re no Jack Kennedy”, Bentsen replied with a smile hardly hidden. Increasing the comedy, Quayle’s face dropped to the floor and clearly hurt he said the comment was uncalled for. Bentsen’s comment was immediately viewed as bold; if he wasn’t crossing a line he was at least approaching that line. The risk with crossing the line is that you come off as mean, which is a reason most of the best zingers hail from vice presidential debates – the designated hatchet men. Back in 1976 Republican vice presidential candidate Bob Dole showed off a sharp wit, repeatedly making cracks about his opponent Walter Mondale and presidential candidate Jimmy Carter. Viewers found Dole lacking in seriousness and coming off as a wisecracker, making him unappealing.

Ross Perot, debating with Bush and Clinton in 1992, similarly highlighted his comedic chops with repeated jokes and zingers. As a candidate from outside the political establishment the strategy was risky, it was crucial for him to appear presidential, and ultimately a failure. “It’s nice that someone has some humor and lightens things up, but now it seems like every opportunity he had to speak he had a quick one-liner”, was the verdict of one focus group. The risk of not appearing responsible and mature enough for the White House actually led the naturally witty John F. Kennedy to tone down his humor in the 1960 debates. As Kennedy was struggling with the perception of him as too young and his reputation as witty aldready widely appreciated the strategy seemed good. Still, sense of humor remains a key factor for voters in determining the character of a candidate, not to mention likability. Moreover, a well delivered zinger or joke is almost certain to reach a larger audience by making it to post-debate coverage – especially on television and today YouTube. To find a balance is vital, yet difficult.

The only president who ever truly mastered humor in presidential debates was Ronald Reagan. “The Great Communicator” had a good sense of humor and a background in delivering lines and presenting himself appealingly. In 1980, as Jimmy Carter laid out his case against Reagan, he smiled confidently and good-naturedly said “there you go again” before defending himself. The almost laughing Reagan uttering the “there you go again” is as close to iconic as presidential debate moments get. It was a part of Reagan’s debate strategy to throw Carter off with humor and smiles. When facing Mondale four years later, Reagan delivered another classic when he ironically answered a question by promising not to make his opponents age an issue of the campaign – his own age was of course what had been questioned in recent weeks. The joke not only drew large laughs from the crowd but from the moderator and Mondale, again highlighting Reagan’s affable personality. By mixing self-deprecation with irony and a message, Reagan showed off presidential debate humor at its best; if even the opponent is getting a good laugh you know you’re doing something right. Apropos irony, we still have some twenty debates in the 2016 cycle to look forward to!

For more commentary on the 2016 elections, check out the interdisciplinary election podcast Campaign Context at www.campaigncontext.wordpress.com.

What is Not Funny: Using Surveys in Teaching Humor

Teaching American Humor

It’s just a joke. I was only joking. Can’t you take a joke?

In an earlier post, I discussed how I have used opinion surveys as a way for students to examine their own tastes in humor and as a way to introduce humor as a vibrant and crucial component of American culture.  In the first part of the surveys, students name their favorite films and television shows and classify their tastes. I have found it is a useful way to establish a context for discussion of theoretical concepts in humor while also getting students to open up about their expectations for the course. Here is a link to that post, “What is Funny: Using Surveys in Teaching Humor“.

In the second part of the survey, students must address the potential complications to their enjoyment of humor. What if the person next to them not only doesn’t share their sense of humor but finds it offensive? When is a joke not a joke but an attack? And even if that “joke” is a veiled attack, should it be silenced? These are complicated issues and demand much more space (and brain power) than I can offer here, but no class on humor can rightly avoid the ever-present tension concerning differing opinions on what is and what is not funny.

Steve Brykman recently posted an excellent discussion concerning social and political challenges inherent in this issue. The underlying violence associated with much of American humor becomes especially troublesome when the humor concerns political figures, in particular the President of the United States. The post, “Is a Joke a Joke?,” can provide an astute and perfectly concise introduction for students who must consider the potential power of humor not only to the change the world but also blow it up. A joke can be provocative, but what if it is more accurately described as incendiary speech? Here is a link to Steve’s post.

As a way to force a potentially tense discussion, I use the survey to ask students to address this issue so that initially they can provide comments anonymously.  They must answer the following two paired questions. In each case, I provide a list, but they are also encouraged to add items if they see fit to do so:

1. What subject matter is off-limits for humor with you personally if someone is kidding with you? (Circle as many, or as few, as you wish)

Your mother

Your religion

Your gender

Your race

Your sexual orientation

Your body (height, weight, etc.)

Your disabilities or challenges

2.  What subject matter is off-limits for humor socially when the audience is public? (Circle as many, or as few, as you wish)

mothers

religions

genders

races

sexual orientations

bodies (height, weight, etc.)

disabilities or challenges

deaths and/or tragedies affecting real people

Continue reading →

Sick Jokes After Newtown: Internet Humor as Media Counter-narrative

A poignant "too soon" joke

A poignant “too soon” joke

Matthew Daube’s recent piece pointed out The Onion‘s unique role in responding to tragic events like those in Newtown a few weeks ago. As he notes, the satirical newspaper, while performing comic bravery, still tempers its rhetoric with regard to stories of this nature. But while The Onion has built a reputation as a comedic first responder to tragedies of this nature, it is neither alone nor does it come close to showing the limits of “too soon” humor. Internet forums dedicated to sick humor offer limit cases in both speed and offensiveness. In this way, they offer a discourse that rebels against the framing offered by news coverage.

When tragedy strikes, American popular media tend to follow a script of information gathering, round-the-clock coverage, memorializing, and a tentative return to normal. Visual and audio cues like minor-key music and still photographs offer an emotive frame that distinguishes such events as more tragic and unique than the conventionally bad news that springs from war zones and more economically depressed areas. Eventually, dramatic fare – from films like Oliver Stone’s JFK (1991) or Gus Van Sant’s Elephant (2003) as well as television shows like Third Watch and American Horror Story engage with these events in ways that, while perhaps taking unique angles, more or less reinforce the dominant framing of these events as sacred moments of collective trauma.

Comedic responses to such events tend to be more dynamic and varied. Because of its temporality, wider range of generic registers, and many other reasons, television comedies tend to engage with such events more than does cinema. And television varies widely in this regard. While sick jokes about the Challenger explosion in 1986 certainly existed, my research has yet to uncover any such humor on television. In the immediate aftermath of 9/11, David Letterman’s famous return episode, while somber, offered moments of cautious, comforting humor. After some more time, South Park offered a mix of patriotic and critical humor, pointing the way towards more politically daring humor as well as those designed more purely to evoke laughing offense.

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Seeking: New Contributing Editors/Best Political Humor of the Season

Tracy Wuster

 

We here at Humor in America are seeking to add one or two contributing editors to replace several departing editors.  The task of an editor is fairly straightforward: contribute content once per month on an area of humor studies.  Our departing editors work in the fields of visual humor and stand-up, but we are open to adding solid work in almost any area of humor studies.

You will be scheduled to post a piece once per month, although I am extremely flexible about scheduling. The goal is to make your work for the site useful for your own academic interests and valuable to our readers.  If you are interested, please contact Tracy Wuster at wustert@gmail.com.  If you have expressed interest before, please do so again to remind us of who you are and let us know you still might be interest.

For more information, see our “Write for Us!” page, and feel free to ask questions.

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In other news, we have an open slot for a day shortly before the election, and I was hoping to post a sampling of the best political humor of the political season.  What I need from you is an email with nominations–what humor (cartoons, TV satire, internet meme, video, commentary, joke, tweet, etc.) was your favorite or was most interesting in how humor and politics interact.  Please email me at: wustert@gmail.com

In the meantime, here is one nomination, from Joss Whedon, on Romney and Zombies:

Thanks.

 

In the Archives: Mark Twain’s “A Presidential Candidate” (1879)

Tracy Wuster

In keeping with our recent political focus, we present Mark Twain’s “A Presidential Candidate.”  In light of  revelations in the presidential campaign (both embarrassing and partial), it is nice to see Twain’s refreshing candor.  Here it is, rom June 1879:

Mark Twain Samuel Langhorne Clemens politics president Obama RomneyI have pretty much made up my mind to run for president. What the country wants is a candidate who cannot be injured by investigation of his past history, so that the enemies of the party will be unable to rake up anything against him that nobody ever heard of before. If you know the worst about a candidate to begin with, every attempt to spring things on him will be checkmated. Now I am going to enter the field with an open record. I am going to own up in advance to all the wickedness I have done, and if any congressional committee is disposed to prowl around my biography in the hope of discovering any dark and deadly deed that I have secreted, why—let it prowl.

In the first place, I admit that I treed a rheumatic grandfather of mine in the winter of 1850. He was old and inexpert in climbing trees, but with the heartless brutality that is characteristic of me, I ran him out of the front door in his nightshirt at the point of a shotgun and caused him to bowl up a maple tree, where he remained all night, while I emptied shot into his legs. I did this because he snored. I will do it again if I ever have another grandfather. I am as inhuman now as I was in 1850. I candidly acknowledge that I ran away at the Battle of Gettysburg. My friends have tried to smooth over this fact by asserting that I did so for the purpose of imitating Washington, who went into the woods at Valley Forge for the purpose of saying his prayers. It was a miserable subterfuge. I struck out in a straight line for the Tropic of Cancer, because I was scared. I wanted my country saved, but I preferred to have somebody else save it. I entertain that preference yet. If the bubble reputation can be obtained only at the cannon’s mouth, I am willing to go there for it, provided the cannon is empty. If it is loaded, my immortal and inflexible purpose is to get over the fence and go home. My invariable practice in war has been to bring out of every fight two-thirds more men than when I went in. This seems to me to be Napoleonic in its grandeur.

My financial views are of the most decided character, but they are not likely, perhaps, to increase my popularity with the advocates of inflation. I do not insist upon the special supremacy of rag money or hard money. The great fundamental principle of my life is to take any kind I can get.

The rumor that I buried a dead aunt under my grapevine was correct. The vine needed fertilizing, my aunt had to be buried, and I dedicated her to this high purpose. Does that unfit me for the presidency? The Constitution of our country does not say so. No other citizen was ever considered unworthy of this office because he enriched his grapevines with his dead relatives. Why should I be selected as the first victim of an absurd prejudice?

I admit also that I am not a friend of the poor man. I regard the poor man, in his present condition, as so much wasted raw material. Cut up and properly canned, he might be made useful to fatten the natives of the cannibal islands and to improve our export trade with that region. I shall recommend legislation upon the subject in my first message. My campaign cry will be, “Desiccate the poor workingman; stuff him into sausages.”

These are about the worst parts of my record. On them I come before the country. If my country don’t want me, I will go back again. But I recommend myself as a safe man—a man who starts from the basis of total depravity and proposes to be fiendish to the last.

Engraving based on an 1879 photograph.

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Voter ID Laws and the Question of Political Satire

Tracy Wuster

Most of the time, politics is a serious business.  People tend to take the government fairly seriously–our laws, our government, our rights.  True, traditionally Congress has been an object of fun, and politicians–from Abraham Lincoln to Sarah Palin–have been the butt of jokes.  But the importance of political humor–from parody to cartoons to satire–might best be seen as a reflection of how seriously people take politics.

In this highly political year, I have been very interested in questions of how political humor functions in American society.  Recently, I discussed the satire of the RNC and DNC conventions on the Daily Show.  Similarly, Self Deprecate’s contributions to our site and his site have tackled the current state of political humor.

One political issue that I have been increasingly concerned with this year is distinctly not funny: voter suppression.  While proponents of voter ID and other voting laws argue that voter fraud is a real issue (apart from their clownish attempts to prove voter fraud by committing voter fraud), critics of these laws have argued that they are better explained as politically motivated efforts to suppress the votes of people of color, the poor, and the elderly.  As John Dean argued in a blog post entitled, “The Republican’s Shameless War on Voting“:

There is absolutely no question that Republicans are trying to suppress non-whites from voting, throughout the Southern states, in an effort that has been accelerating since 2010.  It is not difficult to catalogue this abusive Republican mission, which unfortunately has spread, in a few instances, to states above the Mason-Dixon Line as well.

Other stories back up this argument:

Juan Williams on Fox News

Harold Meyerson on the Washington Post

Charles Blow in the New York Times

Recent developments in voter laws in Texas, Ohio, Pennsylvania, and other states also testify to the seriousness of this issue.  Those with any historical sense hear echoes of past efforts to restrict suffrage for political gain and based on cultural prejudice.  Serious stuff.

Where does the humor come in?

Let’s start with Gary Trudeau’s “Doonesbury” strip from July 23 of this year:

doonesbury jim crow voter id suppression gary trudeau

And from the next day:

doonesbury voter id supression jim crow

And check out the rest of the series: here, here, here , and ending with this one:

But that wasn’t all…

Continue reading →

Stand-Up Sunday: Dave Chappelle

Dave Chappelle has been an enigma the last few years.  After famously walking away from his wildly popular show on Comedy Central Chappelle has largely remained out of the public eye.  More recently the comedian began playing a series of unannounced shows throughout the country that while sparking significant hype have been terribly disappointing.

That is a shame because I still find Chappelle to be one of the finest stand up comics.  Ever.  Recent public flops aside his two specials, Killing Them Softly and For What It’s Worth, remain two of my favorite specials of all time.

Though not necessarily a political comedian Chappelle does occasionally touch upon politicians, especially those who might be linked to the Black experience.  Long before Barack Obama became the nation’s first black president comedians like Cedric the Entertainer opined about Bill Clinton being the de facto first one.

The clip here is from 2000 right near the end of the Clinton Administration.  There are some timely references to then President Clinton’s candor and coolness that those who saw his recent rave review at this year’s Democratic National Convention will find timeless as well.  And since Chappelle initially cut his comedy chops as a teenager at the Washington D.C. improv in the late 80’s there is always room for a well placed mayor joke as well.

See any similarities with the persona here with what we saw during the Democratic Convention?

I recommend watching the rest of this special, found here, or his second special following the release of Chappelle’s Show, found here.

Sunday Satire: The Daily Show on the Conventions

Tracy Wuster

It’s president-electing season again, and the Republican and Democratic Conventions provided a bounty of material for comedians and satirists to play with. As we have discussed before on this site, Jon Stewart and Stephen Colbert rank as two of the most important humorists of our time. Clearly in the political arena, their humor has the most resonance.

Take, for example, this piece—a satire of the campaign videos played throughout the conventions.

What is the point of this piece? Sure, it is entertaining, but what impact might it have on the audience watching. As Ruben Quintero writes in his edited volume, Blackwell Companions to Literature and Culture #46: A Companion to Satire: Ancient and Modern , the key to satire is its intended effect on its audience. He writes:

The satirist, either explicitly or implicitly, tries to sway us toward an ideal alternative, toward a condition of what the satirist believes should be. It is assumed that the satirist has our best interests at heart and seeks improvement or reformation.

Improvement or reformation—those are some big and nebulous aims. Let’s put it into a modern parlance: the satirist seeks change, but what kind of change? As with Barack Obama’s political slogan, change is a concept that means different things in different contexts, and maybe we are expecting too much from a satirist to completely change minds, just as we were probably asking too much of a president to change a dysfunction and a partisanship built into the construction of our Constitution.

As Jeffrey Melton so compellingly discussed on his article on this site—Teaching the Irony of Satire (Ironically)—even Jon Stewart has doubts about the efficacy of his satire to effect change. As Melton wrote:

In the highly publicized article, “The Irony of Satire” (International Journal of Press/Politics 2009), Heather L. LaMarre, Kristen D. Landreville, and Michael A. Beam, indicate that the human brain may be even less likely to respond to satirical inferences than we have dared to imagine. LaMarre, Landreville, and Beam focus attention on The Colbert Report and demonstrate that viewers of the show tend to interpret Stephen Colbert’s satire directly in terms of their own political views. In other words, the message is fungible and by no means clear. In short, people see what they want to see; believe what they want to believe; and, moreover—here’s the kicker—conclude that Stephen Colbert agrees with them.

In her recent book, A Conservative Walks Into a Bar: The Politics of Political Humor, Alison Dagnes writes that political satire might have important impacts, arguing that “Modern political humor has become a powerhouse of cultural influence and Jon Stewart, Stephen Colbert, and their brethren wield an immense amount of sway among voters, especially young ones.” But I’m not young. And while I enjoy the satire, I am skeptical about its impact on my own political views.

In his review of the book in the Washington Monthly, Joshua Green quotes several satirists questioning the thesis of the book, and the very act of academic study of humor:

When Dagnes cites the studies about how satire affects political behavior, the comedian Lewis Black replies, “Well, first, tell those academics to fuck themselves.… Really, tell them it is bullshit … satire doesn’t have that effect. If satire was really that important as a way to get things done, then, you know, more shit would be getting [done].” The common thread running through all these interviews is that professional satirists are almost exclusively concerned with being funny, and while many hold liberal views, they don’t expend much effort trying to impose them on others or imagine that they’d succeed if they did.

I think this focus on the entertainment value of satire might both trivialize the effects of satire by pointing in the wrong direction for its impact.  We might be making a mistake by trying to quantify change and by delinking entertainment from  impact.  What improvements is satire aiming at?  What is the scope of reform?

Improvement or reform—the aims of satire.  Two pieces of satire from this week’s Daily Show have pushed me to reconsider the aims of satire as a political force. While the aim of satire is often framed as changing minds, might one purpose of satire be to force viewers to reconsider our own views, to define and defend them in more depth, rather than to change them from one thing to another?

Let me illustrate. First, take a look at this clip on the contrast between the Republican platform and the idea of freedom.

Daily Show Samantha Bee Tampa Convention RNC

From a liberal point of view, this piece satirizes what liberals would see as the contradictory views of Republicans on the issue of “freedom.” Keep government out of our lives, they say, except for out of women’s healthcare. And there seem to be very clear paradoxes involved there that conservative thinkers would need to explain. But I don’t think that piece would change the minds of those conservatives who believe in both limited government and regulating conception.

It might be nice to think that pointing out such hypocrisy would lead to an “A-HA!” moment. But I don’t think beliefs work that way. Let me give another example, again from The Daily Show.

Daily Show DNC

From a conservative point of view, this piece accomplishes a very similar task as the previous video—it points out key internal contradictions in the internal logic of a belief system. Whereas the video about the Republican convention made me laugh at hypocrisy, the Democratic convention video made me cringe with recognition. I had been hit with satire… as someone who holds that belief system, this video doesn’t change my mind, but it does make me much more uncomfortable than the previous video.

A liberal response to the satire would seem to require thinking through this “paradox of tolerance” in order to better defend one’s beliefs from critics who point out this key contradiction: how do advocates of tolerance defend being intolerant of those they see as being intolerant? A serious question to be discussed, as is: how do those who advocate freedom from government regulation of individual liberties justify governmental restriction of personal health decisions?

Maybe the satirical assaults on these seeming hypocrisies will help young people avoid these and similar paradoxes.  Maybe these satires would have more of an effect on young people—on our students—whose political views might be more malleable, or at least less entrenched. That is something to study. But satire’s effects on those of us whose political views are more settled might be worth consideration as well, not in terms of changing our views but in making us better at explaining and defending our views in ways that won’t cause people to make fun of us.

© Tracy Wuster, 2012

Would you like to write a piece on satire for this site? Please contact Tracy at wustert@gmail.com

Political Cartoons About Missouri Senate Candidate Todd Akin’s Unpopular Opinions

Check out Self Deprecate Political Humor for more political cartoons!

Missouri Senate candidate Todd Akin-R, who is now trailing 9 points in his race for a Senate seat, has had one hell of a time, lately.   No one told him that you can’t spout nonsense data, not supported by science, as justification for the legal oppression of women in this country. Todd Akin, from the same party that brought us the 2012 Republican War on Women, is even getting dirty looks from within his own ranks. Not because of what he said, but because people are upset that he said it. Go figure.

Senate Candidate Todd Akin Evokes Dr. Strangelove

Todd Akin vs Women's Rights - 2012 Cartoon

Akin - Legitimate Rape Editorial Cartoon

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