The holiday season is, of course, upon us. A time when brothers and sisters come together to divvy up the sober driver duties for their many mandatory family parties. (You and your loved ones may have other traditions.) A time when the unlikeliest of music becomes unavoidable. No, I am not talking about Susan Boyle’s inspirational (?) versions of Lou Reed’s “Perfect Day” and Leonard Cohen’s “Hallelujah” on her Christmas album The Gift. (Although she should have called it The Re-Gift, because let’s be honest…)
I am thinking instead of the perennial “Santa Claus Is Coming to Town.” As I’m sure that you, too, have felt with a kind of shiver completely unrelated to winter weather, the lyrics to this holiday favorite make Santa seem almost tyrannical in his tireless vigilance. “You better watch out,” it begins. But for what?! At least the next lines – “You better not pout / You better not cry” – offer a very specific rebuke to whiners and brats, but the fact that Santa is not something to eagerly await and watch for but to “what out for” makes him less a benefactor than a dictator. Less Tomie dePaola, more Brian De Palma. I guess the implication is that you better watch out for Santa watching you, at which point we may as well be in a Pynchon novel or a Police song.
In other words, Santa is like a heftier, jollier version of a spy drone. He flies around in his sleigh undetected – um, we’ve even got NORAD working on it – and although you never see him, he sees you when you’re both sleeping and awake (i.e. always) and knows when you’ve been both bad and good (i.e. everything). In this light, getting a wood-burning kit or a Kindle Fire hardly seems to make up for another year’s worth of despotic surveillance, to say nothing of the attendant paranoia that this song all but recommends.
I’m not the first to make this connection between Santa and a spy drone, however, as the following recent cartoons attest:
Also, did you know that there’s a war on?