Category Archives: Poe

In the Archives: Edgar Allan Faux (1877 then 1845)

EAP1

They say humor is based on timing. Yes, as is everything else. Ask Elisha Gray about telephone patents. I was plugging along, working on a piece about the comedian Dana Gould, and still figuring out when I would finish writing about Mark Twain and the German language, when an article in my local newspaper caught my attention:

“Dead Poets Society founder visits 300th grave”

The fact that there’s an actual Dead Poets Society prompts visions of Ethan Hawkes’s teeth and an involuntary desire to kill Robert Sean Leonard. Swallowing my bile I learned that the current founder, Walter Skold of Freeport (Maine), has visited the gravesites of 300 poets “ahead of this weekend’s fourth annual Dead Poets Remembrance Day.”

What is “Dead Poets Remembrance Day”? Apparently, “with the help of 13 current and past state poets laureate,” Skold was able to dedicate October 7—“the day that Edgar Allan Poe died and James Whitcomb Riley was born—to heightening public awareness of the art of poetry.

The article posted October 5. That was Saturday. Making the actual memorial day a Monday. Today. My day to submit. So in honor of dead poets everywhere (and as one who writes the occasional verse and considers the artform dead, and therefore all practitioners the undead) let us examine the two poets tied to this day. What the article does not share is an appreciation for not just the day, but the year. On October 7, 1849, as Edgar Allan Poe lay dying of possibly drunken Rabies in a Baltimore medical college, James Whitcomb Riley was borning in Greenfield, Indiana.

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Parody: A Lesson

 Don and Alleen Nilsen

An essay based on a lesson, the Powerpoint of which can be found (along with many others) here

In the New Yorker, Wolcott Gibbs wrote that parody is the hardest form of creative writing because the style of the subject must be reproduced in slightly enlarged form, while at the same time holding the interest of people who haven’t read the original.  Further complications are posed since it must entertain at the same time that it criticizes and must be written in a style that is not the writer’s own.  He concluded that the only thing that would make it more difficult would be to write it in Cantonese.

Obviously, it is easier for people to enjoy a parody if they know what the original was.  In our increasingly diverse culture, memories of “classic” children’s books may be one of the few things we have in common.  Advertisers, broadcasters, cartoonists, journalists, politicians, bloggers, and everyone else who wants to communicate with large numbers of people, therefore turn to the array of exaggerated characters that we remember from childhood books.  Chicken Little represented alarmists; Pinocchio stood for liars;The Big Bad Wolf warned us of danger; Humpty Dumpty demonstrated how easy it is to fall from grace; The Frog Prince gave hope to women of all ages; and Judith Viorst’s The Terrible, Horrible, No Good, Very Bad Day lets us know that we all have really bad days.

Some of Lewis Carroll’s parodies were just for fun.  When Lewis Carroll wrote a parody of the poem “Twinkle Twinkle, Little Star.  How I wonder where you are,” it became, “Twinkle Twinkle, Little Bat.  How I wonder where you’re at.”  This is merely fun word play.  But some of Carroll’s parodies had a deeper significance.  Lewis Carroll lived in a time when the Victorian poetry tended to be filled with sentimentality and didacticism, so many of Carroll’s poems parodied that sentimentality and didacticism.  G. W. Langford wrote a poem that not only preached to parents, but also reminded them of the high mortality rate for young children:  “Speak gently to the little child! / It’s love be sure to gain; / Teach it in accents soft and mild; It may not long remain.”  Carroll’s parody turned this poem into a song for the Duchess to sing to a piglet wrapped in baby clothes:  “Speak roughly to your little boy. And beat him when he sneezes. / He only does it to annoy / Because he knows it teases.”  The  poem “Against Idleness and Mischief” by Isaac Watts read as follows: “How doth the little busy bee / Improve each shining hour / and gather honey all the day / From every opening flower!”  Lewis Carroll’s parody is much more fun, and much less didactic: “How doth the little crocodile / Improve his shining tail / And pour the waters of the Nile / On every golden scale?”

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Happy Halloween!

While watching scary movies this weekend, I noticed the similarities between horror and humor: suspense released through an emotional response, expectations build up and often end in surprise, and lots and lots of blood…

*Seven Graveyard Smashes…our own music editor, Matt Powell, on Halloween music.

*Michael Collier’s “All Souls”

*Will Rogers in “The Headless Horsemen

*Halloween on Parks & Rec

*Comic Pumpkins

*Vincent Price and Muppets!

*Halloween music, via Nine Kinds of Pie

*the origin of Halloween traditions

*Werewolf Bar Mitzvah, spooky scary….

*A great version of Poe’s “The Raven” mixing humor and horror.

*Congratulations to the St. Louis Cardinals San Francisco Giants …via funny baseball quotes.

*Finally, some political cartoons  from the past few years, as Halloween tropes are recycled to address new fears and old.

2014

Halloween political cartoons 6970cf983d30e7e4962f8a71a43ee176f869250e 155447_600 155543_600 155561_600 155582_600 B1NJ0NWIAAAsybq.jpg-large Ebola-Quarantine halloween-cartoon-09 halloween-linus-great-pumpkin-political-cartoon halloween-political-cartoon-isis-ebola-scares halloween-political-cartoon-obama-halloween-candy halloween-political-cartoon-scaring-children halloween razorblades3

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