This just in: Brian Williams created the Internet. No, wait. That was Al Gore. It is all so confusing. One thing I am sure of, however, is that Brian Williams’s job as the anchor for NBC News is over. I hate for that to have happened, but I also must confess that I NEVER watched him on NBC News. Never. I do not watch any other nightly news program either. What for? I have the Internet, which Brian Williams created.
Brian Williams has been caught for being loose with the facts regarding his direct involvement with any number of stories. “Being loose with the facts” means that he has lied. He lied, though our culture prefers not to say such things when it comes to media figures and politicians. They misremember or somehow lose the details in the fog of war, fog of work, fog of aging, fog of hyper-saturated media consumption. Or, really, fog of ego.
Here is a fact: once a news correspondent, especially the anchor for a network news program, has opened him or herself up to ridicule for lying, it is over. Far more people than cared one way or another beforehand are ready to shout to the top of their lungs that television news must be preserved as a beacon of truth and dignity! The News must be preserved! Off with his head! We cannot tolerate such a challenge to the integrity of the television news media! One needs only to scan the memes created to mock his integrity to see how much damage has been done. Note this screenshot for a simple Google image search for “Brian Williams memes”:
Here is where I should elaborate and write about how the integrity of television news media has never been pristine, but I will avoid that for two reasons: I don’t want to spend the time, and neither do you. So, let’s just settle that point by nodding to the best satire of the so-called integrity of network news and consider it “enough said” on this question: Network, the wonderful film released in 1976, which, I think, was directed by Brian Williams, who was, ironically, shot in the leg during production. That’s how I remember it, anyway. Who can be sure?
Here is the real problem regarding Brian Williams: he likes talking about himself. That is his fatal flaw. But he is also a major figure in television news who now provides a valuable symbol for how journalists–post Gonzo, post Watergate, post Cable, post Internet, and, alas, post Cronkite–can only “report” the news if they see themselves as a crucial “part “of the news. “Here I am doing something active and immersive, as I tell you what’s happening…” Journalists are tourists forever showing us not the story behind the story but the story behind them, seemingly all forced by competition and bottom-line economics to perform and be seen rather than to provide NEWS. The narrative I instead of the reporting eye. Ah, but that ship sailed long ago. Again, Network tells us all we need to know about that.
Clowns are terrifying.
I am convinced that the very concept induces anxiety. While on the surface, the “clown” seems to be an innocuous effort to play on simple comedic principles of exaggeration–big facial expressions; big hair; big noses; big shoes, all capped by physical buffoonery–it really taps into our most perverse fears. This is not a new idea, of course. Having a character in a comedy who is deathly afraid of clowns is a staple of American humor. The best example that comes to mind is Kramer from Seinfeld. Using Kramer’s always over the top responses to otherwise normal social contexts is comedic gold (“Gold, Jerry, Gold.”), but his rather restrained response to coming face to face with a dangerous clown is instructive. We should keep in mind that Kramer’s fear was a point of rational thought within the context of the plot-line of the episode that featured Crazy Joe Devola–off his medication–dressed up as a clown while on the hunt for the whole gang. He was dangerous.
In most cases, the character who fears clowns is simply part of the humor and seems ridiculous him or herself. But we recognize the underlying fear and share Kramer’s apprehension. We recoil from the hidden or altered face–even if that face is all smiles. Can you really trust anyone with a grotesque painted face? Do you trust Joan Rivers? I saw her in an antique shop in Florida years ago–horrifying. But I digress.
Over the past few weeks here in Austin, Texas, the issue of women’s health and abortion restrictions has been front and center, becoming a national story with the dramatic filibuster of SB5 by Wendy Davis (along with Kirk Watson, Judith Zaffrini, Leticia Van De Putte, Sylvester Turner, and others). Thousands of protesters filled the capital building, hundreds of thousands of people watched online (while CNN discussed blueberry muffins), and Wendy Davis became a national celebrity. Witnessing these events from both inside the capital and online, I was struck by the intense passion on both sides of the issue and by the ways in which humor might both express and relieve the tension that passionate political debate creates.
I understand that the issue of abortion is sensitive, so I will stick with the humorous responses to the issue. What struck me, as an observer, was the swift creation of humorous memes, the jokes on twitter, and the use of humor within the filibuster itself.