For this, my final post on Humor in America this year, I would like to revisit the previous post, in which I made the case that by trivializing humor, we are overlooking one of the most persuasive elements in creating and/or maintaining social norms within our culture. In that post, I asserted that all humor is subversive. I would like to expand on that assertion, as I believe that when we think of subversive behaviors, actions, or texts, we almost always think of radical changes to our culture. In that case, we eliminate from our consideration humorists who, rather than attempting to shift a norm, are actually advocating the status quo.
In the “canon” of humor (a wide range to say the least) examples of authors who try to subvert the status quo abound. In my earlier post, I mentioned Benjamin Franklin’s “ Rules by Which a Great Empire May be Reduced to a Small One.”
In that piece, Franklin ‘s piece can be read on its face as advice to any country that believes administering its colonies is just too much trouble. All of the ways he suggests to reduce an empire’s size, however, require imposing hardship on the colonists. By the essay’s end, it seems clear that Franklin is speaking primarily about England and King George—all of his examples stem from the hardships the colonies are experiencing. A bit later (1868) Petroleum Vesuvius Nasby (David Ross Locke) takes to the Lyceum Circuit (an early version of the stand-up comedian) to advocate for suffrage for women primarily by portraying an ignorant back country man who is ostensibly arguing that women should not have the vote (page 660 in the referenced text).